The Television Academy Foundation Awards Ceremony Celebrates Student-Produced Programs From Colleges Nationwide. The submission period for the Television Academy Foundation’s 40th College Television Awards is Sept. 5 through Oct. 3, 2019.
Each year hundreds of graduate and undergraduate students, representing colleges and universities nationwide, submit their media projects to television’s most prestigious student competition—the Television Academy Foundation’s College Television Awards.
The College Television Awards honors achievement in student-produced programs and will feature stars from today’s top television shows presenting awards to winners at the red-carpet awards ceremony.
Emulating the Emmy® Awards selection process, entries for the College Television Awards are judged by Television Academy members. Top honors and a $3,000 cash prize will be presented to winning teams in eight categories: drama, comedy, animation, nonfiction, promotional, news, sports and variety. The College Television Awards also includes two additional, donor-supported, categories: the Seymour Bricker Humanitarian Award and the Loreen Arbus Focus on Disability Scholarship.
In addition to the awards ceremony, the nominees will take part in a three-day television summit hosted by the Television Academy Foundation. The summit, designed to enhance professional development, will feature panel discussions, studio tours and networking opportunities with industry executives and Academy members.
The College Television Awards often serves as an entry point for a career in television for nominees and winners. Past alumni have worked as editors, writers, producers and other positions on programs including Ray Donovan, The Handmaid’s Tale, Tom Clancy’s Jack Ryan, CBS This Morning, Unbreakable Kimmy Schmidt, Grey’s Anatomy, 60 Minutes, Empire and many more.
Jamestown Settlement’s American Indian Intertribal Powwow will return on Saturday and Sunday, October 12 & 13, 2019, with song and dance by members of American Indian tribes, as well as storytelling and children’s activities.
This year’s special event spotlights the contributions of American Indian women, in conjunction with Jamestown Settlement’s “TENACITY: Women in Jamestown and Early Virginia” special exhibition, a legacy project of the 2019 Commemoration, American Evolution. The special exhibition shares personal stories of real English, African and Virginia Indian women in the 17th century, including Pocahontas, renowned Powhatan Indian and daughter of Powhatan, paramount chief of 30-some Indian tribes in Virginia’s coastal region, who befriended English colonists in Virginia in the early 1600s.
It also tells the story of Cockacoeske, who was recognized by the colonial government as the “Queen of the Pamunkey” and ruled until her death in 1686, and features the frontlet, on loan from the Pamunkey Indian Museum and Cultural Center, that was given to her to commemorate her signing the Treaty of Middle Plantation in 1677.
Weekend event activities from 9 a.m. to 5 p.m. include:
Song & Dance
A Grand Entry with a parade of dancers will take place at 12:30 p.m. each day in a dance circle on the museum mall, followed by an afternoon of singing and dancing until 4:30 p.m. The event will feature Lowery Begay of the Diné as emcee and Clark Stewart of the Chickahominy as arena director. The head male and female dancers will be Keith Anderson and Nikki Bass, both of the Nansemond.
Singers and drummers include host Southern drum Red Blanket (Nanticoke, Lenape, Haliwa-Saponi, Mohawk) and host Northern drum Turtle Clan (Chickahominy), and the Vietnam Era Veterans Inter Tribal Association color guard.
Music, Storytelling and Children’s Activities
Visitors can enjoy performances by Diné flute player Emerson Begay and American Indian storytelling by Grace Ostrum of the Accohannock. Children and families also will have the opportunity to design and make their own American Indian rattles, as well as other crafts.
Vendors on the museum mall will have a selection of American Indian artwork, pottery and quillwork available for purchase.
About Jamestown Settlement
Jamestown Settlement, an official partner of the 2019 Commemoration, American Evolution, is a year-round stage for special exhibitions, events and programs honoring the 400th anniversary of key historical events in Virginia in 1619.
Jamestown Settlement, administered by the Commonwealth of Virginia’s Jamestown-Yorktown Foundation and accredited by the American Alliance of Museums, features world-class exhibitions, immersive galleries and films, and interactive living-history experiences in re-creations of a Powhatan Indian village, three 1607 ships and a 1610-14 fort. The museum connects visitors with the lives of the Powhatan, English and west central African cultures that converged at 17th-century Jamestown. Jamestown Settlement also features museum gift shops and a café, open daily during museum hours.
Admission, Directions & Hours
Jamestown Settlement, located at State Route 31 and the Colonial Parkway (2110 Jamestown Road), is open 9 a.m. to 5 p.m. daily. Museum admission is $17.50 for adults, $8.25 for ages 6-12, and free for children under 6. A value-priced combination ticket with the American Revolution Museum at Yorktown is $26.00 for adults and $12.50 for ages 6-12. An annual pass to both museums is $38.00 for adults and $19.00 for ages 6-12, offering year-round access to museum special exhibitions and daytime special events. Parking is free.
In the nearly 30 years since she danced her way onto our screens as a Fly Girl on In Living Color, Jennifer Lopez has evolved into an award-winning, record-breaking, history-making phenomenon.
A force to be reckoned with in every industry she enters—be it dance, music, TV or film—the star has also made strides in the business world, intertwining her marketability with her personal persona and riding her brand all the way to the bank.
The Business of Being J. Lo
The consummate boss lady, Lopez has leveraged a thorough understanding of her personal brand and identity to generate several multi-million-dollar business enterprises. It is a tactic that, according to the successful multi-hyphenate, is key to longevity.
“You have to remember the value of your individuality—that you have something different and special to offer that nobody else can,” she said in an interview with IOL.
Lopez’s marketability lies in her origin story and the hard work ethic that took her from the southside of the Bronx to the highest echelons of stardom. To quote her hit “Jenny from the Block”— “no matter where she goes, she knows where she came from”—that sentiment has endeared her to fans, and consumers, worldwide.
“Staying authentic to that image of an entertainer, mother, and woman of humble beginnings in a struggling Puerto Rican family from the Bronx is important, and it’s key to reaching a bigger audience of potential customers. That’s a big part of who I am, and my brand in a way,” Lopez said in a sales pitch to Silicon Valley.
Lifestyle a la Lopez
Lopez first flexed her business muscle in 2001, when she launched her eponymous clothing and accessories line, J. Lo by Jennifer Lopez. With an unapologetic focus on providing fabulous fashion choices for women of all sizes (including often overlooked curvaceous body types), the label has gone through several iterations over the years, expanding to include girls’ sportswear and housing decor. In 2010, she relaunched the brand in partnership with popular retail chain Kohl’s, capitalizing on their exclusive private brand strategy to ensure nationwide saturation of her vision. The collection, which includes a wide array of fashion running the gamut from statement pieces to chic comfort, is a testament to the entrepreneur’s personal taste (if she wouldn’t wear it, it doesn’t hit the shelf).
“It’s great to collaborate with Kohl’s in the creation of a full lifestyle
brand that represents my full style and essence,” said the entrepreneur, who is known for taking an active role in each stage of the production process. “I’m a mom. I work. I want comfort, but I also want to feel sexy and modern. I think a lot of women want the same thing.”
As Lopez’s star continued to rise on the charts and in theaters, she made yet another boss lady move that would further cement her status as a business mogul. Alongside then manager Benny Medina, the star co-founded Nuyorican Productions, a film and television production company, in 2001. The production house has developed a wide range of projects, from documentaries to primetime shows to online series, with Lopez often starring or serving in an executive producer capacity. To date, the entity is responsible for six films, 12 TV series (including award-winning The Fosters, which won two GLAAD Media Awards for its outstanding representation of LGBT issues), four TV specials, one online series, and nine musical releases.
The Smell of Success
Lopez’s long-term influence and impact on the fashion industry extends beyond clothing, accessories, and home goods. In 2002, she launched what would become America’s top-selling fragrance and the best-selling celebrity fragrance line in the world—Glow. The move jump-started the now common-place strategy of celebrities bringing their own namesake scents to the market. In the 17 years since its inception, Lopez has released 24 fragrances, with revenue in the billions.
No Time Off
The mid-2000s saw Lopez incrementally building her empire—starring in several films (including 2006’s Bordertown, which earned her an Artists for Amnesty Award from Amnesty International), producing several others under Nuyorican, releasing her sixth studio album, maintaining her lifestyle brands, and serving as the Chief Creative Officer for NuvoTV (a Latino community focused cable network). It wasn’t until 2008, after giving birth to twins Max and Emme, that she finally took a short hiatus to focus on her new family.
She was back on the grind less than two years later, when she joined the judging panel on the tenth season of American Idol. The comeback served as the spark of a resurgence predicated on her undeniably successful personal brand that—nearly a decade later—has yet to falter.
The Power of Branding
Armed with an ambitiously sharp business mind, an innate understanding of her brand, and a ferocious work ethic, Lopez has established herself as an obvious go-to for major companies looking to connect to consumers via a relatable feel coupled with a healthy dose of glamour. L’Oréal Paris, Gillette Venus, Fiat Automobiles, denim powerhouse Guess, and luxury footwear Giuseppe Zanotti have all called on the business behemoth, who boasts one of the most powerful brands on the planet.
The numbers don’t lie: more than 150 million people, a whopping 75 percent of them millennials, follow the phenom on social media, privy to Lopez’s every post, project, and partnership. That fact alone points to her uncanny ability to connect with the masses using her high-profile status as a business asset for social commerce.
To Lopez, that universal appeal serves as the potential foundation for creating wide-ranging business opportunities that have yet to be realized.
“I want to build something that has never been done before,” she declared in 2015 at VentureScape, a venture capital conference in Silicon Valley hosted by the National Venture Capital Association. And she most definitely will. Her companies boast a track record of success that surpasses Stanford graduates (the stereotypical recipients of such funds) and is predicated in part on her willingness to take risks.
“I have found that taking risks, being true to myself, and making decisions with good intentions can exceed even my own expectations,” the mogul mused in her 2014 bestseller, True Love.
Beyond the Business
Lopez may have established herself as an entrepreneurial enigma through her mastery of multi-faceted platforms and her sheer intelligence in strategically building and managing her brand, but her talents and impact (obviously) extend well past the boardroom. The fervent go-getter was advised as her career was just starting to blossom to “make a moment of her shot” (a piece of wisdom bestowed by fellow actor Jack Nicholson while on set shooting the neo-noir thriller Blood and Wine in 1997).
She took the advice to heart, harnessing every opportunity to its full potential, smashing racial barriers, and side-stepping naysayers to become one of (if not the) most influential Hispanic performers in the United States. In 2018, TIME Magazine named her among its “100 Most Influential People in the World,” and for good reason.
The quadruple threat (singer, actress, dancer, and producer) has sold more than 80 million records in the last two decades, holding the record for releasing the first remix album—entitled J to tha L-O! The Remixes—to ever debut at No. 1 on the Billboard 200, as well as the highest first week sales for a Spanish album in the United States—her 2007 Como Ana una Mujer.
As an actress, she has blazed a record-making trail in Hollywood as
well, capturing the nation’s attention in 1997 with her portrayal of Tejano superstar Selena Quintanilla-Perez in the namesake biopic Selena and demanding a salary that at the time made her the highest-paid Hispanic actress in history. Collectively, her films have grossed more than $3 billion, and she holds the distinction of being the first woman to have a number one film (The Wedding Planner) and the number one album (J. Lo) simultaneously in the United States.
Lopez has also left an undeniable mark in the dance industry, cementing her reputation as a powerhouse on the floor with her fierce choreography and the producing (and serving on the judges panel) of the wildly popular World of Dance, which features dancers and groups from all over the world competing for a $1 million prize.
Her influence goes beyond the glitz and glamour of Hollywood and the recording studio, however. Lopez’s list of philanthropic efforts rivals her professional achievements. From the founding of the Lopez Family Foundation, a global nonprofit “dedicated to improving the health and well-being of women and children and increasing available medical care,” to her service as the first national celebrity spokesperson for the Children’s Miracle Network Hospital and the BC Children’s Hospital Foundation, her care, concern, and support for her fellow man and women is evident.
With her tenacious can-do attitude, persistent work ethic, and unapologetic boss lady branding, Jennifer Lopez has built a successful, multi-tiered legacy that is sure to stand the test of time. And she is confident there is even more to come.
“You have to believe that you really have that power to make your life whatever you want it to be,” she said.
In 2018, eight undocumented families took the extraordinary risk of allowing film crews to chronicle their lives as they faced potential deportation. Ranging from harrowing to hopeful, their journeys illuminate and humanize the complex U.S. immigration system. Living Undocumented depicts the struggles many must endure in their quest to pursue the American dream.
Living Undocumented is co-directed by Aaron Saidman and Anna Chai and is executive produced by Emmy®-winning executive producers Eli Holzman and Aaron Saidman via Industrial Media’s The Intellectual Property Corporation banner, along with executive producers Selena Gomez, Mandy Teefey, Anna Chai and Sean O’Grady.
Quote from executive producer Selena Gomez:
“I chose to produce this series, Living Undocumented, because over the past few years, the word immigrant has seemingly become a negative word. My hope is that the series can shed light on what it’s like to live in this country as an undocumented immigrant firsthand, from the courageous people who have chosen to share their stories.”
Quote from series co-director and executive producer Aaron Saidman:
“Living Undocumented is designed to illuminate one of the most important issues of our time. But rather than discussing this issue with only statistics and policy debates, we wanted viewers to hear directly from the immigrants themselves, in their own words, with all the power and emotion that these stories reflect.”
Selena Gomez went back to her roots and surprised students at her old middle school in Texas.
On Monday, the award-winning artist went back to where it all began at Danny Jones Middle School in Mansfield, Texas, stopping by her old stomping grounds to encourage current students and reconnect with some of her past teachers.
“Hello, students at Danny Jones Middle School. This is Selena Gomez talking to you,” the 27-year-old said over the intercom, in a video shared by the school on the Mansfield Independent School District’s website.
According to the school, Gomez had returned to her hometown to film for a new documentary about her childhood.
“This trip, I wanted to take my best friend Courtney, and also some of my people from my label, just to show them where I grew up and how proud I am of where I’m from,” Gomez explained. “Some of my teachers I got to see again, and they were part of my life for so long.”
While the former Disney Channel star greeted students in a montage of videos — taking selfies and granting hugs — her seventh-grade basketball coach recalled the type of student the singer was when she walked the halls.
“As a student, Selena was so humble and she was very kind,” Gray said. “She had a really kind, soft spirit. Hard, hard worker. Real humble. Just a real neat kid.”
Gray also described the day Gomez told her she was withdrawing from school to move to Florida and pursue her acting career. “I remember the day that she was leaving Jones,” Gray recalled. “She said ‘Oh I’m just going to Florida.’”
“And I said ‘How come?’ She said, ‘Oh I’m just going to be in a little Disney film.’” Gray added. “I said, ‘Oh. OK.’ Because sometimes middle school kids kind of exaggerate.”
Continue on to People to read the complete article.
Latina actress and vegan/animal activist Justina Adorno will be joining the cast of the CW’s extraterrestrial drama “Roswell, New Mexico” in a recurring role when the show returns for its second season in early 2020. Adorno will play Steph, witty, sharp-tongued, well-educated young woman, who isn’t afraid to express her opinions – even though they tend toward controversial in some circles. Steph never apologizes for being her entire self.
Currently, you can catch her on the sizzling and provocative, Eva Longoria and Brian Tanen produced, ABC #1 new summer drama, “Grand Hotel” (airing Mondays at 10/9c after “Bachelor in Paradise” on ABC). Opposite Roselyn Sanchez and Academy Award-nominee Demian Bichir; Justina plays ‘Yoli,’ the self-labeled Queer daughter of the extravagant Mendoza family who owns the luxurious Riviera Grand Hotel in the seductive city of Miami Beach.
The summer series debuted as the highest watched summer drama series in four years when it made its premiere June 17th, 2019 on ABC. Leaving behind palatial Spain of the early 1900s for modern-day Miami, Executive Producers Eva Longoria and Brian Tanen‘s American adaptation of the internationally popular Spanish series “Gran Hotel” chronicles the extravagant lives of the Mendoza hotelier family, comprised of the charismatic ‘Santiago Mendoza’ (Demián Bichir), his glamorous second wife, ‘Gigi’ (Roselyn Sánchez), their adult children, and their luxury Miami Beach hotel the Riviera Grand. The series also follows the employees who work at the five-star hotel, offering a contemporary, fresh take on an upstairs/downstairs story and transforms the concept into a glamorous Latinx-fronted series. The original drama has been described as “a Spanish Downton Abbey.”
Wealthy and beautiful guests bask in luxury, but scandals, escalating debt and explosive secrets hide beneath the picture-perfect exterior. ‘Yoli’, played by Adorno, is the kindhearted spitfire daughter of ‘Gigi’ who is constantly compared to her thinner and more beautiful twin sister ‘Carolina’ (Feliz Ramirez). She is used to being called ‘Gordita’ by her family but isn’t afraid to stand up to prominent guests who try to do the same
Watch the official trailer below!
Born in the Bronx, NY, Adorno got her elementary education as a student in Catholic school where she developed the understanding that the world was based on storytelling, either in a religious or a non-religious way. As a pre-teen she moved with her mother to South Carolina and attended a magnet program for acting called PCA (Palmetto Center for the Arts) where she fell in love with theater and later auditioned and attended South Carolina Governor School for the Arts and Humanities to fully begin her pursuit in acting. She attended Coastal Carolina University, graduated with her BFA in Acting and moved back to NYC. While in NYC, Justina booked a couple of national commercials and appeared in NBCs 2016 Diversity Showcase. She landed a few roles, one of them being the crime drama Netflix series, based on the Russian film The Major, “Seven Seconds,” where she played ‘Jasmine,’ a reoccurring role.
While living in NYC, she volunteered at local animal shelters and organizations such as Little Wanderers NYC and Animal Lighthouse Rescue NYC.
She resides in New York with her cats Catsby and Penni and enjoys painting, poetry, writing music and anything involving interior design.
Get the scoop on jobs, lifestyle, and more! Podcasts have taken the world by storm.
Instead of listening to music on the way to and from work, most people are listening to their favorite podcasts.
Many cover topics like true crime, comedy, sports and recreation, society and culture, and arts and business.
“Podcast” was formed by combining “iPod” and “broadcast”.
Many different mobile applications allow people to subscribe and to listen to podcasts.
Check out these podcasts that give you business advice and teach you about food, family, history, and more.
Mucho Success: Advice and Success Secrets for Latinos
How can Latinos become more successful? Learn the secrets of the most influential people and apply them to your life. Join corporate executive, entrepreneur, and business coach José Piñero as he interviews fascinating leaders and brings inspiring stories, lessons, and advice to empower and elevate Latinos.
This podcast is for everyone trying to live their best lives but need some support, encouragement, and most importantly, dope girlfriends. Jess and Yarel are there to hash out their own real-life moments as well as get into those ‘wait, hold up!’ moments with their guests! Each episode offers something new, whether they’re diving into topics like careers, spirituality, personal development, or wellness.
Latinos Who Lunch provides a digital media platform that reflects the intersectionality between queer, Latinx, and Spanglish voices in an Anglo-dominated podcast world. FavyFav and Babelito approach the topics of identity, food, family, and history in a responsible yet humorous way.
Latina to Latina is an interview podcast hosted by Alicia Menendez and executive produced by Juleyka Lantigua-Williams. Menendez said, “Less than a year ago, when we first launched Latina to Latina, we produced what the two of us wanted and needed: a space for Latinas to talk about their lives and professional journeys. What we’ve learned from our listeners is that they wanted and needed this more than we even imagined. Yes, they are looking for inspiration, but we routinely hear that the sense of belonging and community is what keeps them listening week after week.”
Education has been heralded as the “great equalizer,” but today only 14% of Native Americans in the United States ages 25 and older have a bachelor’s degree or higher—less than half of that of other groups.
The key to eliminating this disparity may be tribal colleges and universities (TCUs)— affordable, accredited, culturally relevant higher education institutions chartered by tribes serving Native students on or near Indian reservations. American Indian college graduates who attended TCUs enjoy significant benefits over college students attending other academic institutions, according to a new American Indian College Fund and Gallup survey report titled Alumni of Tribal Colleges and Universities Better Their Communities.
The report shows TCU graduates are creating a unique and community-focused life after graduation, outpacing the efforts of graduates from mainstream academic institutions, as well as possible reasons for that, in the following ways:
TCU graduates are giving back to their communities. Seventy-four percent of TCU graduates surveyed say they have forged careers serving their communities and societies. More than half report a deep interest in the work they do in careers that serve their communities such as education, healthcare, social services, and more. Perhaps because of the ability to do work that they find meaningful, more than half of TCU graduates report they are deeply interested in the work they do (53%) and half (50%) say they have the opportunity to do work that interests them, compared to 38% and 37% of college graduates nationally.
TCU graduates received greater support in college. TCU graduates (43%) are more than twice as likely as American Indian/Alaska Native graduates of non-TCUs (21%) and college graduates nationally (18%) to recall experiencing three critical support measures in college: having a professor who cared about them as a person, having a professor who made them excited about learning, and having a mentor who encouraged them to pursue their goals and dreams. TCU graduates outpace non-TCU American Indian/Alaska Native graduates in all three measures, with the gap between TCU and non-TCU graduates the widest for having professors who cared about them as people (59% vs. 33%, respectively).
TCU graduates are more likely to be debt-free. TCU graduates are more likely to state their education was worth the cost—67% as opposed to 39% of college graduates nationally. Only 3% of TCU graduates took student loans as compared to 19% of students nationally, leaving them debt free as they pursue their preferred careers after graduation. Lack of debt also has a positive impact on college graduates’ financial well-being and that of their families.
TCU graduates are thriving in all aspects of well-being. TCU graduates report nearly twice as much as graduates nationwide that they are thriving financially, socially, and in their communities and careers.
Tribal colleges and universities are geographically and culturally diverse but share common goals such as integrating cultural values and connection to land into curriculum and pedagogy while emphasizing community outreach and education that is rooted in tribal identity and practice. In 2017, over 11% of American Indian students studying at a U.S. two-or four-year public or private not-for-profit postsecondary institution attended one of the 35 accredited TCUs.
Cheryl Crazy Bull, President and CEO of the American Indian College Fund, said, “All of us who have worked with tribal colleges and universities since their founding in 1968 recognized that these place-based, culturally-rooted institutions transformed lives and communities. Through the support of Strada Education Network and a partnership with Gallup, we are able to provide the data to back this up. Our graduates tell the story of our success as tribal institutions. More support for tribal colleges and universities would expand this transformative experience to more Native and rural citizens.”
The Alumni of Tribal Colleges and Universities Better Their Communities survey report is the result of a survey of 5,000 American Indian College Fund scholars to gather information about the value of an education rooted in Native American values. The survey was funded by a grant to the American Indian College Fund by the Strada Education Network.
To download a copy of the report, please visit https://collegefund.org/inside-the-college-fund/gallup-american-indian-college-fund-survey-report-tcu-alumni-outperform-other-college-graduates-affordable-culturally-relevant-tribally-chartered-institutions-help-students-launch-community-caree.
About the American Indian College Fund—Founded in 1989, the American Indian College Fund has been the nation’s largest charity supporting Native higher education for 30 years. The College Fund believes “Education is the answer” and provided 5,896 scholarships last year totaling $7.65 million to American Indian students, with more than 131,000 scholarships and community support totaling over $200 million since its inception. The College Fund also supports a variety of academic and support programs at the nation’s 35 accredited tribal colleges and universities which are located on or near Indian reservations, ensuring students have the tools to graduate and succeed in their careers. The College Fund consistently receives top ratings from independent charity evaluators and is one of the nation’s top 100 charities named to the Better Business Bureau’s Wise Giving Alliance. For more information about the American Indian College Fund, please visit collegefund.org.
A new addition to your wardrobe may soon help you turn on the lights and music—all while also keeping you dry, clean, and safe from the latest virus that’s going around.
That’s because Purdue University researchers have developed a new fabric innovation that allows wearers to control electronic devices through their clothing.
Purdue University researchers have developed a new fabric innovation that allows wearers to control electronic devices through clothing.
“It is the first time there is a technique capable to transform any existing cloth item or textile into a self-powered e-textile containing sensors, music players or simple illumination displays using simple embroidery without the need for expensive fabrication processes requiring complex steps or expensive equipment,” said Ramses Martinez, an assistant professor in the School of Industrial Engineering and in the Weldon School of Biomedical Engineering in Purdue’s College of Engineering.
“For the first time, it is possible to fabricate textiles that can protect you from rain, stains, and bacteria while they harvest the energy of the user to power textile-based electronics,” Martinez said. “These self-powered e-textiles also constitute an important advancement in the development of wearable machine-human interfaces, which now can be washed many times in a conventional washing machine without apparent degradation.”
Martinez said the Purdue waterproof, breathable and antibacterial self-powered clothing is based on omniphobic triboelectric nanogenerators (RF-TENGs) – which use simple embroidery and fluorinated molecules to embed small electronic components and turn a piece of clothing into a mechanism for powering devices. The Purdue team says the RF-TENG technology is like having a wearable remote control that also keeps odors, rain, stains and bacteria away from the user.
“While fashion has evolved significantly during the last centuries and has easily adopted recently developed high-performance materials, there are very few examples of clothes on the market that interact with the user,” Martinez said. “Having an interface with a machine that we are constantly wearing sounds like the most convenient approach for a seamless communication with machines and the Internet of Things.”
There is an educational opportunity coming up for any Latinx Hispanic-Owned Businesses. If you fit the criteria, you are encouraged to apply.
The Latin Business Action Network (LBAN) is recruiting 75-80 Latinx CEOs for the Stanford Latino Entrepreneurship Initiative (SLEI); its next session (a cohort 8) will run from October 8 – December 7 at Stanford University in Palo Alto, CA.
** You are expected to attend the in-person kick-off weekend on October 12th – October 13th, 2019 at Stanford GSB.
What is the Stanford Latino Entrepreneurship Initiative-Education Scaling program?
The scaling education program is an immersive seven-week online program providing participants with valuable scaling frameworks, a diversified network of capital providers, business mentorship and a deep understanding of mobilizing resources for sustainable business growth.
Video games can be hard to adapt into movies because they sometimes prioritize game playing and graphics over storytelling. But Mexico’s top comedic actor, producer and director Eugenio Derbez— who plays a nervous Eagle Island scientist named Glenn in The Angry Birds Movie 2 (recently opening ) — says that the computer-animated sequel will deliver some of that bird-brained fun for fans as it redefines who can be a hero for kids.
Angry Birds is an addictive video game franchise where players use slingshots to launch small round birds that cannot fly at snickering green pigs in wonky fortresses. The movie sequel builds on those fun game-playing elements to create a new story after Red (played by Jason Sudeikis) becomes a celebrated hero. In the first movie he led a successful slingshot attack on Piggy Island to recover three stolen bird eggs. Now, Red must team up with his former pig enemies to stop an all-out attack by the purple-feathered Zeta (played by Leslie Jones) on both of their island homes.
While Red’s big-loser-turned-beloved story may feel at times simple and formulaic, it takes older, complicated ideas about heroism and boils them down for kids.
“We are used to imagining a hero with a cape and superpowers,” Derbez told NBC News in a phone interview. “But I believe that real heroes live among us. For me, a real hero is a parent who gets up every day to fight for his kids — puts bread on the table and moves the entire family forward.
In the United States, I see how many Latin heroes work two or three jobs in restaurants or as parking lot attendants days, nights and holidays for their families.”
Continue on to NBC News to read the complete article.