Rosario Dawson: Called to Action

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Rosario Dawson Summer Issue Cover

By Erica Sabino

Rosario Dawson is more than just another famous face in Hollywood. In addition to her high-profile film career, she’s a philanthropist, activist, and entrepreneur. Not to mention producer, singer and comic book writer!

First and foremost, Dawson is fiercely passionate about her philanthropy and her desire to serve her community. Her early life wasn’t easy. Her family lived in a squatter’s apartment in New York’s East Village, where she grew up seeing poverty, sickness, and suffering all around her. “Growing up here in New York, with a mom who was a teenager when she had me, I had family and friends who were either trans and/or had HIV or AIDS and/or had drug problems or housing issues or issues with access to education,” Dawson said in an interview with the lifestyle website mindbodygreen. “I saw the whole maelstrom of privilege and access.”

Growing up in a liberal-minded family, she was raised to understand the value of social change at a young age. “My mother worked for a women’s shelter when I was young,” she said. “To see strangers helping other strangers, just showing up and giving, was so inspiring to me.” It’s not hard to see how her experiences have inspired her to make a change for others. She serves as a board member of V-day, a global activist movement to end violence against women and girls. She supports charities like the ONE Campaign, Amnesty International, Oxfam, International Rescue, and Lower East Side Girls Club, and the Environmental Media Association, among many others. She is also active in such programs as Conservation International, Doctors Without Borders, National Geographic Society, The Nature Conservancy and Save The Children.

In 2013, Dawson partnered with her longtime friend Abrima Erwiah to found Studio 189, a fashion and media brand based in Ghana that produces African and African-inspired clothing and lifestyle content. In an interview with Google, when asked about their decision to launch in Ghana, Dawson and Erwiah had this to say: “We were impressed by the culture of creativity, craft, and innovation and the rich history present in Ghana. We felt it was a wonderful place to develop social infrastructure, to add value to natural resources, to create opportunities for work and support capacity building. At the same time, we wanted to support the growth of a local market of consumers as well and help create a space for more people to enter conversations and be included in the growth of the global fashion industry.” For these two partners, Studio 189 is not just a business, but also a social enterprise. Through their brand, they have been able to make changes in the community through educational workshops, counseling, and employment.

Eva Longoria, America Ferrera, Gina Rodriguez, Zoe Saldana and Rosario Dawson are seen prior to the Latinas Stand Up rally ALEXANDER TAMARGO/GETTY IMAGES
Eva Longoria, America Ferrera, Gina Rodriguez, Zoe Saldana and Rosario Dawson are seen prior to the Latinas Stand Up rally ALEXANDER TAMARGO/GETTY IMAGES

Politically active for much of her life, Dawson says, “The American future is here, and there’s great news: the future votes.” She co-founded the pioneering civic media nonprofit organization, Voto Latino, in an effort to boost Latino participation in the political process. Established in 2004, Voto Latino’s mission is to provide culturally relevant programs that engage, educate, and empower Latinos to be agents of change. It also seeks to transform America by recognizing Latinos’ innate leadership. Whenever we do voter registration, we ask, ‘Why haven’t you voted before?’ The response is often, ‘No one’s asked us.’ It’s not about telling people what to do—it’s about sharing what they can do.

“Voting is the umbrella to everything else that I’m doing,” says Rosario. “Women’s issues, health and disease, poverty, housing—these all fall under that voting power.” In recognition for her efforts, she was awarded the President’s Volunteer Service Award in 2017.

Also a health advocate, Dawson, a self-proclaimed oat enthusiast, recently partnered with Quaker Oats to create a three-part video series that encourages people to incorporate healthier practices into their everyday lives. “I’ve been eating Quaker oatmeal since I was a young child, ever since my aunt taught me how to make it from scratch, so I’m excited to team up with them to help spread the word about the benefits of oats,” Dawson said. “As an advocate for health and wellness, I never want to short-term my health—I think it’s so important to have long-term plans. And what’s great is that you don’t have to start big, because even small steps can make a difference.”

Rosario, Abrimaand guest
Designers Rosario Dawson, Abrima Erwiah and guest attend as STYLE360 THOMAS CONCORDIA/GETTY IMAGES

Dawson’s first step on her journey to fame happened by accident when she was just 15 years old. Sitting on the front porch step of her apartment building, she was spotted by photographers Larry Clark and Harmony Korine. Aspiring screenwriter Korine thought Dawson would be perfect to cast in the 1995 film, Kids, where she played Ruby, a sexually active adolescent. From there, Dawson went on to star in more films, like Rent, He Got Game, Men in Black II, Seven Pounds, Percy Jackson and the Olympians: The Lightning Thief, and Sin City, among many others. In the music industry, she had a speaking part in the re-release of Prince’s 1980s hit, “1999,” renamed “1999: The New Master.” She also appeared in the music video for Out of Control by The Chemical Brothers and was featured on the Outkast track, She Lives in My Lap.

Currently, Dawson is set to voice the iconic heroine Diana Prince in the DC animated original film, Wonder Woman: Bloodlines, a character she’s voiced since 2015’s Justice League: The Throne of Atlantis. According to The Hollywood Reporter, the actress has also been cast in Sony Pictures’ next installment of the post-apocalyptic comedy, Zombieland 2. She will be working alongside original cast members including Woody Harrelson, Emma Stone, Jesse Eisenberg, and Abigail Breslin, as well as newcomers Zoey Deutch and Avan Jogia. In addition to these roles, Dawson will both produce and star in the upcoming drama series Briarpatch from Sam Esmail, the creator of Mr. Robot. Based on the Ross Thomas novel, the first season of the series will be produced by Universal Cable Productions and Paramount Television. In this drama, Dawson will be playing a Washington, D.C.-based investigator who returns to her hometown in Texas to help search for her sister’s murderer.

Last year, she announced her guest collaboration on La Borinqueña, an original character and patriotic symbol presented in a classic superhero story created and written by graphic novelist Edgardo Miranda-Rodriguez. Her powers are drawn from history and mysticism found on the island of Puerto Rico. Dawson and her writing partner David Atchison joined Dawson’s uncle, comic book artist Gustavo Vazquez on the project.

Although she has a full workload, she still finds time to make an impact outside the world of Hollywood. From being a political activist to running a sustainable fashion line, Rosario Dawson is continuously showing her passion and commitment to the causes she advocates for.

Using her platform to make a difference, Dawson’s activism has allowed her to not only witness change but also effect it. “I’m really moved by everything I’ve seen achieved over the years, and there’s so much that’s being worked toward now with many more people,” Dawson says in an interview with InStyle. “I’m inspired to just do whatever I feel called to do and to be of service and to be of use… There are so many different ways that we can serve, and I want to figure out as many ways as I can to fit into this lifetime.”

Adelfa Callejo sculpture, Dallas’ first of a Latina, expected to land downtown in Main Street Garden park

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bronze statue of Adelfa Callejo

The bronze statue of Adelfa Callejo, a staunch civil rights advocate believed to be the first practicing Latina lawyer in Dallas, will soon land in a downtown park — right next to the University of North Texas Dallas College of Law and the municipal court building.

A Dallas City Council committee on Tuesday accepted the $100,000 sculpture as a donation with plans to place it in Main Street Garden. It would be Dallas’ first sculpture of a Latina, according to city staffers.

Dallas city officials and the Botello-Callejo Foundation Board agreed to the new location after Mayor Pro Tem Adam Medrano quietly delayed the plan to place it in the lobby of the Dallas Love Field Airport, which is in his district. Medrano didn’t respond to requests for comment Tuesday.

The Dallas City Council is expected to approve the donation at its Feb. 12 meeting. The board wanted to tie the sculpture’s public unveiling to the six-year anniversary of Callejo’s death, which was in January 2014, after a battle with brain cancer.

The foundation’s board commissioned the roughly 1,000-pound piece by Mexican artist Germán Michel shortly after she died. It is currently being stored in a Dallas warehouse.

Callejo’s nephew J.D. Gonzales said he was thrilled the sculpture will be downtown near the university, where it’ll be visible to students and attest to her trailblazing in education and law.

“I hope that what Adelfa stood for, and what she did and what she accomplished lives on forever,” Gonzales said.

Monica Lira Bravo, chairwoman of the Botello-Callejo Foundation Board, said she met with Medrano and Council member Omar Narvaez last month to discuss where to place the sculpture.

Lira Bravo said she suggested Main Street Garden Park as an alternative after the two council members expressed concerns over the Dallas Love Field Airport option.

Continue on to the Dallas Morning News to read the complete article.

Oscars 2020: Jonas Rivera makes history as first two-time U.S.-born Latino Academy Award winner

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Toy Story 4 latino producer Jonas Rivera stands outside in Disneyland with two other producers

After winning the Oscar for animated feature, “Toy Story 4″ producer Jonas Rivera was stunned and pleased to be reminded that he is now the first U.S.-born Latino to win multiple Oscars.

Rivera previously won for the 2015 film “Inside Out.”

“As if my mind couldn’t be more blown about the last five minutes, thank you for that,” Rivera said. “I’m a little bit out of my body right now. It means the world to me. I can’t even really put it into words.”

And he had an inspirational message for others in the Latinx community dreaming big dreams, even if he couldn’t deliver it in Spanish.

“The only Spanish I learned was when my grandparents would fight,” he joked, before adding, “You work hard, you put your guts into it … and it does happen.”

Pictured left to right: “Toy Story 4’s” Oscar-winning producers Jonas Rivera, from left, Josh Cooley and Mark Nielsen at Disney’s Hollywood Studios in Orlando, Fla.

(Matt Stroshane / Disney)

Continue on to The Los Angeles Times to read the complete article.

Jennifer Lopez and Shakira delivered a red-hot Super Bowl halftime performance in Miami

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Jennifer Lopez Super Bowl draped in Puerto Rican flag during Halftime show

The Latina powerhouses were joined on stage by J Balvin and Lopez’s daughter.

Ever since Shakira and Jennifer Lopez were announced as headlining the Super Bowl LIV Halftime show, it was expected that the two would bring the Latino Power, and the singers did not disappoint.

The divas delivered a nearly 15-minute performance that began with Shakira, who opened with “She Wolf,” followed by a medley of her hit songs, including “Whenever, Wherever” and “Hips Don’t Lie.” Viewers at home and in the stadium were surprised to hear Shakira launch into “I Like It,” the song made famous by Cardi B., until Puerto Rican singer Bad Bunny, who was featured on the track, joined in on a Super Bowl remix of sorts. Shakira also wowed with her guitar playing — or slaying — skills, nodding to Led Zeppelin’s “Kashmir” as she belly danced atop a fiery projection.

J. Lo’s performance followed with a demonstration of her pole dancing talents, courtesy of the movie “Hustlers,” in which she stars. It was just one of a dozen-plus choreographed pieces which showed her versatility as a performer and, yes, as a singer. Among her greatest hits mini-set were the classics “Jenny from the Block” followed by snippets of “I’m Real,” and “Get Right.” She then changed into a silver and nude one-piece and launched into “Waiting for Tonight.”

Colombian artist J Balvin joined Lopez for a performance of “Que Calor,” while she sang “Love Don’t Cost a Thing.” The two switched to “Mi Gente,” on which Balvin collaborates on with Beyoncé, who was also in the building. As Balvin exited the stage, Lopez went into “On the Floor” and touched hands with her daughter Emme, who led as a vocalist in a chorus of children performing a slowed-down moving version of “Let’s Get Loud.” This was followed by Emme, whose father is Marc Anthony (also present in the stadium), delivering the chorus to Bruce Springsteen’s “Born in the U.S.A.” Referencing her own heritage, Lopez was draped in a coat bearing the Puerto Rican flag.

Continue on to Variety to read the complete article.

Selena Gomez, Cardi B and more Latina celebs you can find on this rising social platform

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Selena Gomez pictured smiling looking casual in a sweatshirt

Move over Instagram! Tik Tok is becoming the new IT app and some Latina celebs are already getting on board – including Selena Gomez, Christina Aguilera, Jennifer Lopez and more. If you were one of the millions of users who had Vine, then you might already love Tik Tok without knowing it.

The addictive app is a space where creativity abounds and you’ll get trapped in a rabbithole of hilarious clips that will make you LOL, see some serious dance moves and wild viral trends.

To get to know a little more, we spoke with the CEO of The Influencer Marketing Factory, Alessandro Bogliari, to get some insights on how the video app works. “You don’t even have to sign up and the app will show you some of the best videos,” he told HOLA! USA when asked why people are eagerly tapping to download.

“Then, when you sign up, the AI [algorithm] will recognize your behavior in the app and will start showing you only videos that you should like based on what you engage with. I can easily spend one hour just scrolling on the ‘for you page’ without getting bored, [the] contents are so original and funny that it’s highly addicting,” he added.

Continue on to HOLA! to read the complete article.

Why Bad Bunny Matters to a New Generation of Latinx Fans

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Bad Bunny performs before large audience

I switched off my uncle’s playlist of classic salsa tunes and turned up Bad Bunny. We sat poolside in Dorado, Puerto Rico, with a small Bluetooth speaker beside us. My uncle, a conservative lawyer in his 60s, rolled his eyes when he heard “Bad Bunny, baby.”

With sold-out stadium tours and features from top American artists like Drake on his records, Bad Bunny has graduated from Puerto Rican grocery store clerk to international sensation in the last three years. Millennials have embraced him, but many old-school Boricuas are turned off by the Bunny explosion.

Upset by the lewdness of the lyrics of “Sensualidad,” my uncle picked apart each sexual innuendo and remarked on the raunchiness of today’s reggaeton culture. On a mission to change his mind, I chose to play to him Bad Bunny songs with underlying depth. First, I played “Estamos Bien,” an uplifting anthem released nearly a year after Hurricane Maria. Next up, “Desde el Corazón,” a love letter to Puerto Rico dedicated to his neighborhood and the local artists who inspired him to write music.

As a rebuttal, my uncle put on “Burbujas de Amor” by Juan Luis Guerra, a melodic, classic love song full of imagery. He rocked back and forth proclaiming, “He is a poet.” I had to admit, Bunny to Guerra was a stark contrast, but then again so were we.

For Latin Baby Boomers like my uncle, the archetype of a man was the head of the household who rarely showed his vulnerable emotions. There was dignity in the unity of marriage, and cursing was seen as inappropriate or low-class. The lyrical, heartfelt singers of my uncle’s childhood provided a way for those same men to connect with and express the deeper romantic sentiments in the clean music.

The themes in Latin music are largely the same throughout the generations — love, loss, hardship — only with different mouthpieces using forms of expression that reflect their audience.

In the 1990s, Latin music in Puerto Rico fused with reggae and American hip-hop to create reggaeton. This new wave of music, created by underground youth culture in the clubs of Puerto Rico, was a creative outlet during inner-city sufferings. Typical of Caribbean culture, it was done with a great dance beat. From the streets of the island to worldwide dominance, reggaeton burst through the English-speaking Western market, and now we are all living in a post-“Despacito” world.

Our music today is a celebration of Latinx culture. What was once understated is now screamed from the rooftops, or rather rapped to sold-out crowds at Madison Square Garden. Latinx Millennials and Gen Z are unapologetically ourselves. We choose our pronouns, our lovers, and express ourselves freely.

This is mirrored in one of our hottest artists, Bad Bunny. His music videos and style defy gender norms and pave the way for further inclusivity and acceptance for all. Bad Bunny is a part of the movement of today’s youth to speak up and speak out. His uniqueness emulates this generation’s custom-made individuality and Latin pride.

As my uncle and I playfully debated the rise of Bad Bunny, taking turns as DJ, I realized why his music means so much to me personally. In not taking himself so seriously, I’ve learned to do the same. It’s OK that I’m a mix of cultures both Puerto Rican and European. It’s OK that I’m the gringa of the family. It’s OK that I was born on the mainland, where I’m not American enough, yet on the island I’m not Boricua enough. It’s OK that when I can’t think of a word in Spanish, I switch to English. It’s OK for me to be exactly as I am.

Continue on to Pop Sugar to read the complete article.

Demi Lovato Will Sing National Anthem at Super Bowl LIV

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Demi Lovato singing on stage

Demi Lovato will sing the National Anthem before kickoff at Super Bowl LIV, taking place at Hard Rock Stadium in Miami on February 2nd.

The news comes shortly after she was announced as a performer for the 62nd Grammy Awards on January 26th.

The singer confirmed the news on Instagram, writing, “Singing the National Anthem at #SBLIV 🏈 🏈 🏈 See you in Miami 🌴 @NFL.”

The National Anthem will be broadcast around the world as part of the Super Bowl’s pregame show. Past National Anthem performers include Whitney Houston, the Dixie Chicks, Beyoncé, Lady Gaga, Billy Joel, Diana Ross, Gladys Knight, Mariah Carey, the Backstreet Boys, Pink, Alicia Keys and Idina Menzel.

Christine Sun Kim will sing the National Anthem in American Sign Language on behalf of the National Association of the Deaf (NAD).

The NFL and Fox previously announced that Jennifer Lopez and Shakira will be the halftime performers for Super Bowl LIV.

Continue on to MSN to read the complete article.

‘Ugly Betty’ Gave Television An Unlikely Latina Heroine

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Silvio Horta pictured with America Ferrera on red carpet at Hollywood event

Betty Suarez, the lead character in the ABC dramedy “Ugly Betty,” was the unlikeliest of heroines and everyone ― from those who taunted her on the job at an upscale fashion magazine to her close-knit family to the audience watching the show at home ― thought so.

“All the stuff you want to do, owning a magazine … it doesn’t happen for people like us, unless you’re J.Lo or something,” her nephew Justin (Mark Indelicato) told Betty (America Ferrera) on the stoop of their home in Jackson Heights, Queens, where they lived with her undocumented father, Ignacio (Tony Plana), and her spirited sister, Hilda (Ana Ortiz).

Justin was only in middle school and yet he already understood that success was limited to a select few from his family’s working-class background. For him and so many others, the American Dream was exemplified by the beautiful Jennifer Lopez, one of the few examples of U.S. Latino representation in Hollywood in the 2000s.

But Silvio Horta, the creator and showrunner of “Ugly Betty” who died earlier this month, offered an alternative version of prosperity for new generations of Latinos through a character who was less aspirational and more relatable, a young woman who wasn’t conventionally attractive but was still the daring protagonist of her own life.

Betty had bushy eyebrows, braces, glasses and frizzy hair — pop culture’s hallmarks of the ugly duckling. She was also curvy, which was unfortunately groundbreaking for a show in 2006, as evinced by the second episode of the series. Drama arose over releasing an actress’s unretouched photos at Mode, the fashion magazine where Betty worked. Sure, there had been curvy girls on television before, but they somehow always seemed to be the butt of the joke, a caricatured sidekick to the more traditionally good-looking lead. Not Betty.

Let’s not sugarcoat it. Betty was harassed by her co-workers because of her looks, lack of fashion sense and Latinidad. It was no secret around the office that everyone knew she had only been hired because her supervisor’s father didn’t want his son, Daniel (Eric Mabius), sleeping with his assistants anymore. In an attempt to embarrass her and drive her to quit, Daniel has her fill in for a model at a photo shoot. Watching Betty stand alongside those models, attempting to strike sexy poses in a revealing outfit she is wholly uncomfortable in while everyone laughs at her, is one of the most heartbreaking scenes in the series. She is also routinely called fat and one of her co-workers, Amanda (Becki Newton), has a penchant for using an exaggerated Spanish accent around her and warning her not to get chimichurri sauce on important documents.

Yet somehow Betty remained strong. She never buckled under the pressure of her hostile work environment — though doing so would have been understandable. Instead, she focused on her dream of writing for magazines.

Continue on to Huffington Post to read the complete article.

How to decide if your social circle needs an upgrade in 2020

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Latino Business team going through some paperwork in office

You’re the average of the five people you spend the most time with, motivational speaker John Rohn once said. If you’re not happy with your current situation at work, you may want to take a closer look at your inner circle.

“We have to be really good at [deciding] who we allow into our life,” says Ivan Misner, author of Who’s In Your Room: The Secret to Creating Your Best Life and founder of the global business network BNI. “Imagine your life is one room and the room had one door. The door could only let people enter, and once they’re in the room, they’re there forever.”

It’s a scary metaphor, but it’s true, says Misner. “Think about a person you let into your life and then had to let out because they were toxic, difficult, or angry,” he says. “If you can remember the emotions and what they did, they’re still in your head. If they’re in your head, they’re still in your room.”

For this reason, it’s important to surround yourself with the right people from the start—or they’ll be in your “room” for the rest of your life.

“When you realize that this happens, you can get better at screening out people before they get in and dealing with the ones you already let in,” says Misner.

Letting people in

Opening the door to the right people means getting clear with your values. “If you don’t know your values, you don’t know where to start,” says Misner.

Start with deal breakers—behaviors that  you hate, such as dishonesty or drama. Look for people who demonstrate these behaviors, and don’t let them into your social circle.

“Pretend your mind has a doorman or bouncer,” says Misner. “Train your doorman—your subconscious and conscious mind—to identify people with these behaviors. By understanding your deal breakers, you’ll be better able to start understanding your values.”

A common mistake people make when letting others in is weighing too quickly “what’s in it for me” and disregarding the things that go against their values. When we make decisions based on short-sighted gains, we also choose values that don’t resonate with who we are.

“In physics, resonance is a powerful thing,” says Misner. “It’s a phenomenon that occurs when an extra force drives something to oscillate at a specific frequency.”

To understand how it works, imagine two pianos sitting side by side in a room. “If you hit the middle C key on one piano while someone presses the sustain pedal on the other one, the middle C of the other one will vibrate on that second piano, without [it] being touched,” says Misner. “That’s resonance. People are like that.”

When you make a decision based on what you think we can get instead of your values, you invite values that don’t align with yours to resonate in your life.

“Be mindful about creating relationships with resonance and get your values down,” says Misner. “Companies often recognize the importance of knowing your values, but people don’t always think about them. Values should be at the foundation of everything you do. Otherwise, you’ll create the wrong room.”

Dealing with people you’ve already let in

If you have people in your circle that are creating a bad environment, decide if they have to be there or if you can exit the relationship. If they must be there, it’s time to draw a line in sand.

“Evaluating your social circle means recognizing that someone may be in your life but their baggage needs to stay out,” says Misner. “Draw a line in the sand by saying that you’re not letting their behavior continue around you.”

For example, if you have a coworker who demonstrates toxic behavior such as frequent gossiping or complaining, establish boundaries. Say, “Starting now, if you start talking badly, I will walk away. I respect you and will talk to you again, but only if you can have a mature adult conversation.” Then follow through. It may take a while for the person to understand the new boundaries and rules, but once you draw the line in the sand, you can eliminate the toxicity from your circle.

“Stand firm,” says Misner. “Part of that is learning how to say ‘no.’

Continue on to Fast Company to read more.

MBEs: Get Certified Today

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Young Hispanic couple, woman with laptop computer

Why certify? Businesses that are certified as minority owned are subject to different laws and regulations than other businesses and as such are very different entities from typical enterprises. Unlike a standard business license or registration, a minority-owned business enterprise certification is not required to run a minority-owned business, although certification can provide many benefits for a company—especially in regards to government contracting.

Below are some of the certification processes your company can expect to navigate when seeking minority-owned business enterprise certification. Also listed are the requirements that must be met by businesses that are seeking certification.

  • Manufacturers – Maximum number of employees must not surpass 500 or 1500, depending on the product being manufactured.
  • Wholesalers – Maximum number of employees must not surpass 100 or 500, depending on the product being provided.
  • Service providers – Annual sales receipts must not be higher than $2.5 or $21.5 million, depending on the service being provided.
  • Retailers – Annual sales receipts must not be higher than $5.0 or $21.0 million, depending on the product being provided.
  • General and Heavy Construction businesses – Annual sales receipts must not exceed $13.5 or $17 million, depending on the type of construction the company is engaged in.
  • Special Trade Construction businesses – Annual receipts must not be higher than $7 million.
  • Agricultural businesses – Annual sales receipts must not be higher than $0.5 to $9.0 million, depending on the agricultural product being produced.

Business Requirements

1) The company applying for certification must have a racial minority owner who owns at least 51 percent of the company.

2) The same owner must hold the highest position in the company.

3) The company must pay a fee based on company annual gross sales and also file an application that details basic company information, such as what year the business was founded.

4) The company’s primary business locations must be available for site visits.

Getting Bids

Build Relationships. When it comes to winning bids in the government contracting marketplace, contacts are everything. Business owners are advised to take the time to make connections, build relationships and network extensively. The contacts a business develops are often the key to furthering their success in government contracting. Proactively networking with larger companies, agencies and even competitors can lead to subcontracting opportunities while also showing agencies that you are a trustworthy and reliable business partner.

Subcontract. Building a reputation as a professional enterprise is crucial to the success of any business. Winning a government bid isn’t only about the monetary aspects involved with a contract; other factors are evaluated, too. An agency will often look at company financials, work history and reputation before selecting a winning organization. It helps to have contacts who can vouch for your company and the work that you do. By subcontracting, you build your reputation and gain valuable experience.

You never know when the contacts you develop will come in handy. Therefore, you should make each and every relationship meaningful because in the long run, these are the relationships that will further your company’s success.

Government RFPs are a great way for minority-owned business enterprises (MBE) to win spot and term contracts. Every year, the U.S. federal government spends more than $200 billion on goods and services, all of which are provided by private companies and many of which are minority-owned businesses. From federal to state, local and special districts, all levels of government have programs in place to increase their involvement with certified minority-owned business enterprises. Only companies who have gone through the MBE certification process are eligible for the money that is made available through such programs.

Source: BidNet

Historic rock festival at sea to benefit Native American Heritage Association (NAHA)

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Poster promo for the 2021 Rock Legends Cruise

Ft. Lauderdale, Florida – Since 2010, Native American Heritage Association (NAHA) have chartered an entire Royal Caribbean Cruise Ship, and created a historic rock festival at sea known as Rock Legends Cruise (a “cruise for a cause”).

Now in 2021, (The Rock Legends 2020 cruise is sold out) Don McLean will join Styx, Blue Öyster Cult, Warrant, Lita Ford, Walter Trout, Frank Marino & Mahogany Rush along with to be announced artists for the Rock Legends Cruise IX setting sail from Ft. Lauderdale on February 18, 2021. For cruise packages, pricing and more go to www.rocklegendscruise.com!

With previous performers like Sammy Hagar & The Circle, Bad Company, Pat Benatar & Neil Giraldo, REO Speedwagon, ZZ Top, Foreigner, The Doobie Brothers, Alice Cooper, Paul Rodgers, Peter Frampton, Gregg Allman and so many more, each cruise is a guaranteed blast, while raising awareness about NAHA’s Mission. Although the cruise has drawn adults of all ages, most are of an age that placed them at the beginning of the rock revolution and who appreciate our artists’ places as cultural icons. After all, rock and roll is for everyone!

About NAHA:
For nearly a quarter century, Native American Heritage Association (NAHA) has been front and center in responding to a quiet crisis among our Nation’s Forgotten People, the Lakota (Sioux) on Reservations in South Dakota and Wyoming. Founder David Myers literally began NAHA by delivering food & clothes in the back of a station wagon on weekends. From those humble beginnings, and through the commitment of NAHA’s faithful donors, staff, and affiliates, the most recent fiscal year saw over $52 million in direct aid (food, clothing, and basic life necessities).

These Reservations are on some of the most desolate and remote acreage in the country, remaining out of the sight and headlines of mainstream America. With desperation, hope is easily lost, and leads to statistics most people would say, “Can’t possibly be true in America.” But it is. Up to 80% unemployment, suicide rates 70% higher than the population at large, infant mortality exceeding many third world countries, diabetes and resultant death at twice the national rate…these and many more statistics are the bitter reality that face this proud group of people every day. Pine Ridge, Rosebud, Crow Creek, and Cheyenne River are not mythical names in some western novel. They are real places, with real people, who often live out tragic lives.